You sit in a cinema hall and yet when you come out, you're confused, drunk without drinking, worried and mistrustful.
What happened in that movie?
You can not tell, you can not, is a series of emotional ups and downs, travels timeless dream of expansion and time restrictions, which looks like a mess and instead is a work of art.
A set of action, drama, psychological film, which at times goes back to old glories of the cinema, but without falling into cliché.
A linear plot, simple, forming the boundary to an area as volatile as that of dreams, however, the director, must follow the laws of physics, apart from minor exceptions, creating a constant sense of doubt in the dream or I am awake. "
A linear plot, simple, forming the boundary to an area as volatile as that of dreams, however, the director, must follow the laws of physics, apart from minor exceptions, creating a constant sense of doubt in the dream or I am awake. "
Complicated, ethereal, delirious, simply spectacular.
Do you find yourself catapulted into worlds so real that you just can not assess objectively, some circles hold, and if you find one, you do not trust. Why trust? Or why not?
The investigation of the human psyche here is thorough without going into detail of technique, yet it seems that the director has not done anything else in life: travel complex, convoluted architectures, sequences of scenes that add up and they send you in confusion, in short, a labyrinth on several floors, but then, toward the end, all colleagues, you feel refreshed, but ... will this really happen? A
Leonardo exceptional, with wrinkles in the right places, damn hallucinations, which, as in Shutter Island, it falls perfectly in character with a complicated mind, apparently sure of himself, but so fragile and hazy. And is accompanied by a torn Marion Cotillard , con la quale porta avanti per tutta la pellicola il dramma delle perdita, dell'incapacità di separarsi.
Insomma, una storia all'apparenza semplice: un ladro di idee segrete, rinchiuse nella mente delle "vittime" che, scoperto, viene ricattato: eseguire l'opposto, un innesto, per pulirsi la fedina penale...ma da che cosa?
Ci sono voluti 12 anni a Nolan ( Memento, Batman Begins, The Prestige, Il Cavaliere Oscuro ) per definire la sceneggiatura e direi che ha completato un capolavoro, che ti fa uscire dalla sala cinematografica, dopo 2 ore e mezza, col fiatone e gli occhi dilatati.
Buona visione!
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